Film Review
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‘Coco’ film review: A lively adventure into the land of the dead
Nandini Ramnath
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‘Shaadi Mein Zaroor Aana’ film review: Invitation declined
Nandini Ramnath
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‘Ribbon’ film review: An absorbing look at the ties that bind and gag
Nandini Ramnath
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‘Thor: Ragnarok’ film review: An action spectacle that’s actually immense fun
Nandini Ramnath
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‘Rukh’ film review: A coming-of-age story shoehorned into a murder mystery
Nandini Ramnath
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‘Judwaa 2’ film review: The 1990s clearly never went away
Shubha Shetty Saha
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‘CRD’ film review: A superbly performed drama about theatre, art and life
Nandini Ramnath
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‘American Made’ film review: Tom Cruise shines as a corrupt pilot addicted to flying and money
Nandini Ramnath
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‘Haseena Parkar’ film review: Gangster Dawood Ibrahim’s sister gets the kid gloves treatment
Nandini Ramnath
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‘Newton’ film review: Is this the movie of the year? We vote ‘yes’
Nandini Ramnath
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‘Lucknow Central’ film review: Freedom and music in an absorbing prison drama
Nandini Ramnath
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‘Simran’ film review: A tribute to Kangana Ranaut’s awesomeness (and little else)
Nandini Ramnath
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‘Daddy’ film review: This well-recreated portrait of a 1980s Mumbai don seems a tad too familiar
Deepa Gahlot
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‘Logan Lucky’ film review: Steven Soderbergh’s latest is ‘Ocean’s 11’ with a southern twist
Aakash Karkare
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‘Baadshaho’ film review: A jaded attempt that doesn’t even try to capture the Emergency era
Shubha Shetty Saha
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‘The Hitman’s Bodyguard’ film review: Samuel Jackson and Ryan Reynolds elevate tired buddy-comedy
Aakash Karkare
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‘The Dark Tower’ film review: A conceptual misfire, trying to pack nine books in 90 minutes
Devarsi Ghosh
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‘Bareilly Ki Barfi’ film review: Dessert is served, but it takes its time to arrive
Nandini Ramnath
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‘Shreelancer’ film review: Like its hero, the plot drifts
Nandini Ramnath
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‘Viceroy’s House’ film review: A halfway house about Independence and Partition
Nandini Ramnath